Erroll Garner Concert By The Sea Columbia In the same way that the former St. Louis Cardinal/Atlanta Brave Terry Pendleton demonstrated that a fat man could play most-valuable-player in baseball, Erroll Garner showed that one did not have to be able to read a note of music to be influential as a jazz musician. Born in Pittsburgh, Garner moved to New York City and worked with Slam Stewart's Trio during the early heyday of 52nd Street in the 1940s.
He managed to secure a sideman place on Charlie Parker's 'Cool Blues' sessions, recorded in 1947 for Ross Russell's Dial Records. Garner composed the standard, 'Misty' and played with an indescribable style that was firmly grounded in Swing but open to the personality of Be Bop. Garner recorded dozens of records and appeared on dozens more, but, while good to excellent, could not compare to Garner's trio performance captured on Concert By The Sea. Concert By The Sea was recorded September 19, 1955 in the scenic confines of a converted church in Carmel, California. The sonic were atrocious and the piano was a bit out of tune. Bassist Eddie Calhoun and drummer Denzil ('Move') Best are barely audible.
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But, no matter, this disc has be a consistent favorite of collectors and dilettantes alike for the past 40-odd years. The recital was a typical one from Garner. It included a couple of originals, some standards, and some show tunes, all played in that Garnerian manner. And what is that 'Garnerian manner?'
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Having had no formal training, Erroll Garner was not encumbered by theory or common performance practice, thereby making his music quite uncommon. Garner performed with a two-fisted orchestral style that was about as anti-Bud Powell as one could get. His left hand was as much a rhythmic instrument, as it was a harmonic one. Garner's astonishing free introductions, such as that for 'I'll Remember April' were forged with his left hand.
Garner's lack of formal education was his greatest asset. It enabled him to explore harmony and arrangement in a postmodern manner before there was postmodernism. Take Gershwin's 'They Can't Take that Away from Me.' Here, Garner deconstructs the Ellington tune in grand style, roaming around the mostly in the low keys before breaking about in the upper register. Garner transforms 'April in Paris,' with his ornate introduction and idiosyncratic approach to the melody. I would imagine Franz Liszt playing standards this way.
Erroll Garner Concert By The Sea Poster
Concert By The Sea is a flawed monument of perfection. This recording was a dichotomy, a paradox, where the unlearned not only prevail, but create art of a lasting quality. This is the art. #1 Bill Evans Trio (1961) #6 Sonny Rollins (1957) #2 John Coltrane (1961) #7 John Coltrane (1963) #3 Miles Davis (1965) #8 Wynton Kelly (1965) #4 Charles Mingus (1960) #9 Errol Garner (1955) #5 Duke Ellington (1956) #10 The Quintet (1953) #11. I love jazz because it is not boring.
I love music where improvisation is the name of the game. I hate trying to slavishly duplicate someone else's version just because they're famous. I'd rather absorb and internalize their ideas and have them come out in my own voice.
I love having a conversation with the other musicians. I love having a huge repertoire that I can play, instead of a few “perfect” concertos, and I love the emotional, rather than cerebral, aspect of this music, yet without resorting to cliche'd emotional gimmicks. I love being with people who are dedicated to the craft, and I love striving for the virtuosity necessary to perform this music as it deserves.
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Night and Day, from Erroll Garner's digitally remastered album Concert by the Sea, originally released in 1971. Buy Concert by the Sea (2015): Amazon - iTunes - Stream Erroll Garner on Spotify - About the Album: Iconic Jazz artist Erroll Garner's greatest concert album and one of the best selling jazz albums of all time, The Complete Concert By The Sea celebrates the 60th Anniversary of the original concert from September 19, 1955. The complete live concert recording was newly uncovered by the Erroll Garner Jazz Project and digitally remastered in its entirety after six decades. The 3-CD box set contains the complete live Concert By The Sea including 11 previously unreleased tracks, the original edited Columbia release from 1956 and bonus material including announcer Jimmy Lyons and interviews with the Erroll Garner trio: Denzil DaCosta Best, Eddie Calhoun, and Garner himself, recorded directly after the concert. Subscribe to the Erroll Garner YouTube Channel.